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Seeing in the Dark – Nighttime’s Potential in Urban Innovation
This is a follow-up to my last blog entry “My personal Night-Shift: Finding Out about the Importance of a Topic“, where I outlined my personal journey towards understanding the significance of the night and culture in urban development.
Introduction: The Night – The Forgotten Time in City Development
I spend most of my working time on projects on sustainable city development. When I bring up the topic of the urban night in this professional context, I often encounter similar reactions: Either a grin or a confused look. A reaction that seems to ask, “this is a fun topic, but what exactly is the connection to what we’re doing here?“. Being in a professional context, I have the impression people want talk about professional topics. And these reactions suggest a perception that the night is not one of them; maybe a topic more for leisure, relaxation or socialising and distinct from ‘serious’ urban issues.1
Much like in my previous blogpost, I want to challenge this notion with a bold claim: What if the after-work hours are precisely when we can best address some of the most pressing urban challenges?2
With insights from my colleagues at Fraunhofer, vibelab, and beyond, I’ve shaped my thoughts around this idea. This blog post will explore those around three core thoughts:
Cosequently, could it be, that the disconnect between after-work life and the sustainable city development agenda is a major factor of what’s slowing our progress towards major urban transitions?6
To tackle the global challenges we face, we need creativity and the cognitive ability to break away from old patterns – qualities that are often more accessible in the after working hours, when we can easier move away from the constraints of formal professional settings2.
The underlying reasons sustainable/green city development and cultural engagement/nightlife aren’t already central to mainstream urban planning are similar: Difficulties in attributing the benefits they provide for society as a whole in economic terms.3 4 5 If the underlying reasons why they are overlooked resemble each other, overlaps should be able to be identified; and consequently ameliorating one sphere could inform and enhance the other simultaneously. Therefore, synergies between the two should exist and could be actively developed and used.
The Night: Why Is It Underrepresented?
The figure below summarises the key points drawn from the publications I read in the process of getting acquainted with the overall topic of nighttime socioeconomics and nighttime ecology. The mentioned arguments made a lasting impression on me and I tried summarising their essence in the following (see footnotes)7.

Nocturnal Ecology and Nocturnal Socioeconomics opposed
What literature says:
Societal Perspective1 6 8 9 : What struck me most was a frequently described and seemingly common pattern among urban planners, policymakers, and researchers alike: Most prefer daytime for their professional activities, often neglecting night-time considerations once their workday ends.
Ecological Perspective4 9 10 5 11: Interestingly, to me, most of the key observations in articles from this context could be applied to both ecological and socioeconomic aspects of nighttime. I added the possible relevance for the socioeconomic sector in brackets behind the original arguments I took from my ecological readings:
- Nighttime plays a critical role in ecological balance, analogous to its importance during daytime, yet it remains a niche area of research. (Undoubtly this is true for the societal sphere as well. I’d argue (night-)culture plays a critical role in societal balance. In the societal sphere there is a large advocacy movement on all levels of governance. Yet the topic itself is still far from being part of mainstream city development).
- Its significance is frequently underestimated, leading to its underrepresentation in ecological considerations (…and in urban planning discussions).
- The preference among ecologists to work during daytime contributes to the scarcity of focus on nocturnal studies. (Just like their counterparts in urban planning).
The Challenge with Economics and Economic Metrics
Like in any sector, economic considerations are a driving factor (if not THE driving factor) cities are fundamentally influenced by. Like the economy as a whole, cities aim to create an economically sound and thriving environment for their inhabitants and economic actors. Which itself ultimately underlies all subsequent activities. However, this economic focus often is a difficult fit with both cultural and ecological initiatives. Let me give you two illustrative examples:
Socioeconomic Aspects: Prevailing Informality9
- During almost all of my side gigs while studying and working in hospitality/nightlife, I received my wage payment in cash. These transactions never made it into official economic statistics or tax-related key performance indicators (KPIs). This situation reflects a broader reality: A significant portion of nighttime economy is informally managed, often out of necessity due to stringent regulations. It is therefore not fully represented in financial KPIs of a city. Simply increasing enforcement, such as deploying more tax officers, is not a practical solution.
Ecological Considerations: The Parking Spot Problem10 5 11
- Think about the lifecycle of a typical urban parking spot. Initially, there’s a one-time investment to pave the area. Install a parking meter, and the city enjoys a steady inflow of cash from users. Favourable budgeting no-brainer!
- Now, replace that parking spot with a public garden or a tree. While the initial costs might be similar for removing asphalt and planting, the ongoing expenses for maintenance like gardening and watering present a less appealing economic case under traditional city budgeting models12. Despite numerous studies showing the financial and social benefits of greener urban spaces, widespread adoption remains limited without public intervention.
In a Nutshell: Qualitative Aspects outweigh Monetary Benefits
There’s a reason, why the above mentioned economic metrics are ever so popular: Simplicity. City administrators, planners, politicians, and executives often operate under tight deadlines, needing to make swift but far-reaching decisions. They rely on clear, quantitative data to inform and justify their decisions (in the best case displayed (visually on e.g. dashboards)8).
Integrating new frameworks of calculus, that integrate e.g. the environment5, requires extra effort: Data collection, harmonisation, staff training, IT infrastructure etc. So, why not stick with simpler, straightforward metrics?
But to me, could not the viewpoint and angle be a difficult fit from a start:
What if the non-monetary benefits that both culture and nature bring to urban environments significantly outweigh their economic benefits? Imagine the value of spending time with friends under a leafy tree outside a charming café, or the lasting memories created from a night out at a lively bar or club. How do we quantify these experiences? For those of us reflecting on our youth, how significant are these memories for you?
Yet, either way you turn it: In the real world as of now, there’s no escaping economic metrics. They underlie all subsequent activities. Even if economic benefits are not the target of the things you try to set in motion through cultural and green city development.
But change comes gradually. And we may try being a part of it :)…
The Missing Link
Through my experiences in both sustainability and socioeconomic sectors of city development, including my role at the Nighttime Innovation Network at Fraunhofer since 2022, I have observed a critical gap in how these two spheres intersect and influence city planning. Let me give you my main observations in concise bullet points:
- Large-Scale Integration Lacking – There is a notable absence of a systematic, large-scale linkage between ecological sustainability and the socioeconomic aspects of the after-work time. Each sphere often attempts to address problems related to sustainability based on its own understanding, without substantial cross-disciplinary collaboration. The link yet has to be made in an systematic way on large scale (e.g. in the multilateral sustainable city development my employer Fraunhofer and the Department of Urban Systems Engineering pursues)13.
- Small-Scale Conflict Mediation Dominates – In the realm of nightlife and socioeconomics, the focus often remains on resolving immediate, localised conflicts (e.g., between a bar, a restaurant and its neighbourhood) rather than fostering broader synergies that could benefit the city as a whole. Again, because the link mentioned above is seldom systematically made.
- Focus on Conflict Resolving rather than on Synergies – In the topic, discussions often circulate around human activity and its collision with the needs of ecology. Focussing on the conflicts can lead to a further mismatch between needs of ecology and current urban and economic realities. Finding common ground gets difficult and discussions lengthy. Realigning the focus on the development of synergies could possibly have a greater impact and positive entanglement of societal and ecological advocates. An example here could be the ‘light pollution’ debate 14 , which is one of the center discourses in the field. It is a crucial topic to address. Yet, I think it is a term that inherently suggests conflict rather than cooperation between human needs and environmental considerations15. Put very simply: Nature wants it dark, humans want it illuminated. It requires a lot of negiotiation and education to change this (please see footnotes16 17 18). Also within each sphere the prevailing discourses focus on conflict resolution rather than creation of synergies. 1 9 14
The Benefits – What Do Culture and Ecology Offer, Why Are They Both Vital for Cities?
Both culture and ecology significantly enrich urban life, providing a host of amenities that enhance the liveability and appeal of cities3. These two spheres are fundamental to the attractiveness of urban areas, influencing not only the residents and visitors but also playing a crucial role in where people choose to reside, especially in Western societies.
Fair enough, but here I want to make the bold and (to me) straightforward assumption, that culture and ecology both are at the very core of why some cities continue to thrive while others descend:
What happens if a city is not healthy for its inhabitants or for them to raise their kids? Yes, easy answer: If they can, people will try moving somewhere else.19
What happens if a city is not safe/stable to live in? Yes, easy answer: If they can, People will try moving somewhere else.
What happens if a city is not attractive to live in? Yes, easy answer: If they can, people will try moving somewhere else.19

Ecological and Socioeconomic Dimensions of the Urban Night Side-by-Side
For some of the mentioned characteristics both do not only contribute to attractiveness, which is a more or less optional urban development area, but also to vital urban functions3 that are at the core of what a city needs to offer to its citizens: E.g. safety and economic vitality or cooling and water management. Without those, a city will only poorly function.
The Figure above hightlights the individual role of socioeconomics and ecology within the urban system … What could be possible if we try bridging and synergising both?
Finding Ways Forward – Finding the Synergies

Proposition: Green Urbanism and Night-Culture in Synergy to enhance the Urban System as a whole.
Okay, good we know now…. But what do?!
To me, we should try finding an easy beginning. A beginning where we most likely will face little confrontation but enable those much-spoken synergies in a visible way. The link needs to be easy for everyone to understand the connections and the benefits what thinking about the “other sphere” can provide. Then over time, we may add the more delicate topics that maybe require more discussion and negotiation.
Together with Lutz Leichsenring from Vibelab, I, through my employer Fraunhofer IAO and the Department of Urban Systems Engineering started this process. Among other conferences and thanks to Lutz and Vibelab, I could take part in the ‘South by Southwest Conference and Festival – SXSW’ and the panel “The Transformation of Nightlife for a Sustainable Tomorrow”. This was the onset of our common considerations and since then we meet every couple of weeks to inspire us and to push things forward.
Push Things to Where?!
- One of the easiest links you may find bridging those spheres is Green Soundproofing. I wrote an article on our institute’s blog about this and soon afterwards a couple (!) of German cities reached out and showed their interest. The thought is easy: We spend so much on greening our cities, why not include nighttime culture and get double the benefit?
- And I’d say this is exactly the way to go: Find and make use of the easy links. Make it visible. Make it bold. But above all make it easy to participate.
- Well, listen closely: Coming to your city soon. Vibelab and Fraunhofer will make it happen :)!
… We will provdide a detailed description of our Green Soundproofing concept, the other initiative in the making (“Urban Systems Network Smart City @ Night”) and other practical ideas in the upcoming blogpost. Open-Source and free, just like both night and nature should be :)…
Epilogue: Seeing in the Dark – Nighttime’s Potential in Urban Innovation
Reflecting on why night-time issues remain underrepresented in urban planning reinforces my belief in the need for integrating efforts across both cultural and ecological dimensions. Ultimately, strategies that promote sustainable or green city development can be inherently beneficial for cultural and socioeconomic initiatives and vice versa.
A couple of weeks ago, I watched Jim Jarmusch’s “Night on Earth”, where a taxi driver picks up a blind passenger20. The dialogue goes like this:
Taxi Driver: “It must be really hard to be blind, you’re unable to do so many things.”
Blind Woman: “Listen, jerk, I can do anything you can and a lot of things you’ll never do. I’m blind, that’s all.”
Taxi Driver: “You can’t drive a car, for example.”
Blind Woman: “And you can?”
The joke is, that the driver soon has an accident after this talk.
To me, this dialogue set in motion a stream of thought. I see that this could be understood as metaphor for the topic of this blog post. Urban development has perhaps been ‘blind’ to the full potential night and culture can offer. With the urban re-greening initiatives underway but in a rather ambient pace, also urban development may does not ‘see’ the full beneficial value of re-naturing cities.
Earlier this year, I attended the “Blind Date with Stuttgart” exhibition, an event that transformed participants’ understanding of their environment by navigating a replica of common places in Stuttgart in complete darkness. We were guided by blind individuals. It was unimaginable how difficult I found it to find my way. I and the other participants had to rely on our other senses – feeling, hearing and scenting.
And this is where I see a possible connection to the topic at hand:
City development, to grasp all possible benefits, disbenefits and pathways, requires a full spectrum of senses. Perhaps it’s not about ‘making cities ‘see” the night or about ‘taking cities’ ‘blindness” towards the incredible potential of culture and greening through conventional pathways, by e.g. adapting conventionally used economic metrics, coming up with new KPIs or merging existing ones into more sophisticated units. We tried this with extensive sustainable urban development programmes in the past decades.
Maybe it is more about developing a new ‘sense’ or readjusting towards other, maybe forgotten ‘senses’ for how the urban environment functions around the clock.
Could developing the bespoken synergies be a way? Let us find out. And if you want, let us find out together.
A special thank you to Lutz for revising this text.
… Be in touch: niklas.effenberger@iao.fraunhofer.de
The Urban Regeneration Festival in Florence.
“CITIES AFTER DARK: ECONOMY, CULTURE, SOCIALITY AND SAFETY“
How do we shape a right to the city for all and everyone at all times of the day? What are we talking about when we speak of “economy of the night”? What can we learn from local and international experiences? How does reflecting on night also mean thinking about the city, tourism, social relations and community? How can local governments break out of emergency logic and design (and govern) a right to the city at night?
The meeting aims to explore these issues, starting from the concrete experiences of some Italian contexts and from the Berlin experience, to then try and offer an analysis of the night,of its economy, and of its problems, not only in alarmist terms but also highlighting the many treasures that that time of life can offer to territories.
Speakers:
__ Lutz Leichsenring, press spokesman Clubcommission Berlin
__ Emily Clancy, Vice Mayor in charge of Cities After Dark, Municipality of Bologna
__ Cosimo Guccione, Councillor in charge of Cities After Dark, Municipality of Florence
__ Simone d’Antonio, Lead Expert URBACT network Cities After Dark
Moderator: Valeria Verdolini, CheFare
Nashville Independent Venues Study Begins to Protect The City’s Cultural Infrastructure

The Nashville Independent Venues Study (NIVS) has begun its official listening sessions with independent music venue owners and Nashville’s “Night Mayor” in February 2023. The project is led by PennPraxis in collaboration with VibeLab and Culture Shift Team and is under Metro Nashville’s Planning Department. The aim of the study is to conduct quantitative and qualitative research about Nashville’s independent music venues, land use policies, economic geography, music history, and culture to develop potential policies and ideas for action to be presented in early 2024.
The kick-off meetings with key influencers in the Nashville music and nightlife scenes gave the project team a deeper understanding of independent music venues’ role in Nashville’s ecosystem. Through conducting independent venue site visits, the project team gained greater insight into the unique challenges these venues face amidst growing pressures from the city’s rapid growth and expansion, neighbourhood change, rising costs, and the COVID-19 pandemic.
The Nashville music industry has been raising concerns over the closures of long-established independent venues, with community music staples like Exit/In and Mercy Lounge recently shutting down. Independent venue closures not only change the landscape of Nashville but also deprive independent artists of opportunities to perform and grow in their careers, disproportionately impacting small business owners, marginalized communities, and communities of color. Local residents continue to voice the importance of protecting the art, history, and culture that keeps Nashville known as the world’s “Music City”, placing concern and attention on independent venues. Understanding the challenges that risk closures for independent venues will help the Nashville Independent Venues Study identify specific steps that can be taken to protect independent venues in the long term as part of Nashville’s cultural infrastructure.
In May and June of 2023, the Nashville Independent Venues Study will conduct small-group discussions, focus groups, and interviews with members of Nashville’s music and cultural industries, event programmers, real estate developers, musicians, journalists, and other stakeholders. The project arose from a resolution (RS2021-927) adopted by the Nashville Metro Council in May 2021, which was then developed into a request for proposals issued by Nashville Metro (RFQ 269260: Study – Sustaining Nashville’s Independent Music Venues).
PennPraxis is the applied research, professional practice, and community engagement arm of the University of Pennsylvania’s Weitzman School of Design. VibeLab is a purpose-driven consultancy supporting cities worldwide in the nighttime, nightlife, and cultural industries. Culture Shift Team, based in Nashville, is a multicultural marketing advertising and DEIAB (Diversity, Equity, Inclusion, Access, and Belonging) implementation, education, and consulting agency.
For more information about the Nashville Independent Venues Study and to join the mailing list to stay informed, visit here.
VibeLab’s Nighttime Lab at SXSW spotlit Austin’s independent scene.

Event Review:
Last month’s Nighttime Lab program at the South by Southwest (SXSW) festival in Austin was a resounding success, showcasing the efforts of cultural producers to preserve independent culture in the face of rapid real-estate development and expanding displacement in the city.
From online radio stations to regionally focused record labels, clubs, intimate warehouses, and renegade-style events, these spaces and parties provide essential community connections and platforms for the expression of the diverse cultures that call Austin home. These spaces and communities innovate Austin as much as the tech startup down the street and provide the essential social infrastructure that often centres marginalized communities.
The program was made possible by the collaborative efforts of the German Center for Research and Innovation (DWIH) New York, German Haus, and Resident Advisor who partnered with us at VibeLab to bring the Nighttime Lab to life.
The City of Austin, developers, residents, and platforms like SXSW benefit greatly from the presence of these spaces and groups to “keep Austin weird,” a slogan that has become synonymous with the city’s unique culture. However, the increasing pace of development threatens to make this statement a thing of the past, which is why Austin’s leadership must connect with grassroots groups to find ways to preserve these spaces and provide resources for their operations and community safety/accessibility. By doing so, Austin can continue to thrive as a diverse cultural destination, keeping the city attractive, unique, inclusive, and economically sustainable for all its residents and visitors.

KEYNOTE
4:00 – 5:00 pm
The continuous rise of Nighttime Governance, and why it matters
How do communities & government work together to make a better city? This session platforms a series of keynote presentations highlighting examples of Nighttime Advocacy from around the world and in Texas that have made a difference.

We kicked off with introductions from the curator Lauren Goshinski, SXSW Music Programmer Charles Moon and VibeLab’s Co-Founders Lutz and Mirik


Followed by presentations from:












Roundtables
5:30-7.00 pm
Saving Space for Diverse Club Culture in Austin
Roundtables
5:30-7.00 pm
Saving Space for Diverse Club Culture in Austin

Healthy music scenes and Urban Planning go hand-in-hand. How can we build a city overflowing with music and culture?
In this playful, hands-on workshop set to bumpin’ tunes, we invited everyone to co-create a future Austin, facilitated by award-winning community planners James Rojas & John Kamp.
including Mitch Lamon (Freq System), Morgan Morgan (NRX Nightride Experience)
Drinks
8.30 pm- 9 pm
Mentor Match Happy Hour
This was a unique opportunity to share a drink and chat during our happy hour to make a new connection, with music from DJ Shani.
How do I get involved?
Interested in attending or speaking at future Nighttime Lab events? Email jess@vibe-lab.org
Night Time Economy Summit forges a 360-degree approach to saving nightlife
Taking place on the 9th and 10th of February, VibeLab and the NTIA present the London-based conference. Bringing together key stakeholders from the UK and internationally to discuss best practices, historical and present challenges, and future considerations for the nighttime industries.
The speakers at the conference will include an exclusive live interview with cult figure and Trainspotting author Irvine Welsh, who will discuss the music scene’s impact on his career.
As well as panel discussions with London’s Night Czar Amy Lamé, Laia Gasch; Director of the World Cities Culture Forum, Megane Quashie DJ Megatronic, Independent Music Professional & Creative Director, Jane Slingo, Director EMC Australia; Jamie Njoku Goodwin, CEO of UK Music, Suzanne Bull MBE, CEO of Attitude is Everything and Katy Porter CEO of The Loop, as well as many more.
Exploring technological developments and sustainability models in the industry and reflecting on the importance of awareness and education. The panels will include perspectives from local authorities, DJs, promotors, and successful individuals from creative industries. The conference aims to communicate with decision-makers and help to forge a “360-degree” approach whereby legislators, the police, local planning authorities, and residents are all part of the national and local discussion to help to improve nighttime business, culture and creativity continually.
VibeLab has curated three-panel symposia on Thursday 9th. If you are interested in attending and winning complimentary tickets to the event, follow VibeLab on Instagram and stay tuned next week to enter the competition!
Thursday 9th Highlights
Measuring the Night: Data as a tool for innovation
1.30 pm – 2.15 pm
The topic will focus on how data is more critical in today’s nighttime economy and music sector. The ability to predict the future makes companies more resilient, and city planning becomes user-centric. Join this group of specialists to hear what’s new in the world of data science and forthcoming trends. Speakers Laia Gasch, UK, and Richard Anderson, UK, are confirmed to participate, and Lutz Leichsenring will moderate the discussion. NTIA will announce more speakers soon!
Safer work environments: Practical perspectives
3.30 pm – 4.15 pm
Diana Raiselis will moderate the panel focused on creating a safe work environment. Our panellists Jane Slingo (Australia), Megane Quashie, (UAE), and Tereza Patočková (Czech Republic ) have developed strategies that structure social contact between employers, workers and visitors. How do we influence a culture change in power structures in our companies and on dance floors? Get hands-on advice that can directly integrate into your own business or organisation.
Nighttime resilience: A collaborative approach
4.30 pm – 5.15 pm
Forecasts tell us that we need to prepare for an era where rising costs will impact hospitality operators and cultural producers. Partnerships have become increasingly crucial for a healthy artistic, creative hospitality industry. Joining this panel on resilience through partnerships we have Georgia McDonnell Adams, France, Jorge Sanza, Spain, Inês Henriques, Portugal and Tom Sweet, from the UK. The panel will be moderated by Mirik Milan.
Friday Highlights:
Irvine Welsh will join the NTIA Night Time Economy Summit on Friday 10th February for an exclusive Keynote in collaboration with Resident Advisor for their RA Exchange series.
Welsh has written many plays and screenplays and directed several short films but is best known for his 1993 novel Trainspotting. The lively discussion will highlight 30 Years from Trainspotting and Welsh’s view on the current electronic music, club culture, and politics.
“We are extremely excited to have the opportunity to speak to Irvine after his groundbreaking novel was brought to film almost 30 years ago, with such a raw and gritty view of life in the mid-’80s, challenging so many issues, some of which still exist today. The interview will discuss his take on the current crisis, club culture, electronic dance music, political frustrations and the changes he has seen through his creative lens.”
NTIA CEO Michael Kill
The Night Time Economy Conference is the first in the UK. It brought together over 600 delegates in its first event in Bristol, with over 800 representatives expected in the capital this year.
Additional Panelists and Speakers for 2023 include:
Harvey Goldsmith CBE / Sacha Lord / Mirik Milan / Claire ONeill / Silvia Montello / Lawrence Barton / Duncan King / Ali Turnham / Philip Kolvin KC / Rob Masterson / Mustard Media / Ben Newby / Mike Grieve / Boyd Sleator / Katy Porter / Lutz Leichsenring / Jeordie Shenton / Sarah Clover / David Lucas / Graeme Park / Wes Sounders / Biff Mitchell / Turno / Chalie Tee / Laidlaw / Mila Falls / Steven Braines / Carly Heath / Yousef / Nikki Mc Neill / Jamie Njoku-Goodwin / Peter Heath / Yuri Doktor / David Boyle / Jon Collins / Dan Davies / Amy Lame / SIA / Home Office / NPCC / Mark Burtonwood / Professor Fiona Measham / Kim Beasley / Christine Osazuwa / Dave Fullerton / Suzanne Bull / Deborah Hewitt / Rick Stainton / Silvana Kill / The Loop / Institute of Licensing / DCMS / Pioneer / Adam Ficek / DJ Monitor / Arts Council / Carl Stevens / PRS Foundation / National Lottery etc
If you would like to win complimentary tickets, follow VibeLab on Instagram and stay tuned next week to enter the competition!
Next Stop > Culture
This Berlin-focused workshop investigates how to repurpose abandoned or disused transport spaces into innovative urban cultural areas.

Next Stop Culture
14.00-18.00, 25 January 2023 @ transmediale & CTM Festival
@ Re:mise Köpenicker Strasse 18, 10997 Berlin
Next Stop > Culture is the second Club Futures international laboratory event co-organized by the Clubcommission Berlin and Hybrid Space Lab to develop a fresh, future-focused perspective on the club and cultural scene.
The workshop will explore the yet-to-be-unlocked potential of unused transport spaces in Berlin to encourage new concepts for cultural areas and to envision new typologies and patterns for culture-powered sustainable urban development. Overlooked and forgotten places, currently, blind spots in the city atlas, are to be brought into public awareness in developing their multifunctionally, socially, and culturally. Whilst counteracting the disadvantages of functionally separated and fragmented urban structures.
At a time when inner-city cultural spaces undergo enormous pressure, it is essential also to foster culturally active and resilient places on the outskirts of the city. The workshop will consider well-connected locations inside and outside of the S-Bahn.
The project focuses on Berlin’s environmentally friendly rail network with its radial and ring structure, which has been – and should remain – the basis for the city’s development.
The workshop will outline ideas for cultural acupuncture as a catalyst for culture-based urban development. With the claim of a cultural (re)appropriation of public space, these catalysts aim to develop mobility infrastructures as lived community spaces and cultural places of encounter and exchange. The workshop creates visions for a new urbanity. To imagine space provision for the diverse urban society’s cultural needs and concepts for innovative, environmentally friendly cultural projects.
Various qualitative typologies of mobility spaces will be accepted in the workshop. For example, no longer-in-use office buildings, locomotive sheds, workshops, warehouses, spaces under elevated railway viaducts, unused tunnels and underground stations, compensation areas, retention spaces and more.
The workshop engages and activates a broad range of ideas, inviting the radical cultural repurposing of unused spaces. For example, the workshop could explore the possibilities of culture-filled wagons moving along disused train tracks, interacting in the manifold ways with the neighbourhood they stop by in – be they in the form of travelling exhibitions, wandering clubs, artists workshops or live music sets.
The workshop encourages the use of digital tools that can help blur divisions between local and global audiences and culture creators and to consider how cultural use could go hand in hand with the ecological upgrading of spaces. The workshop also speculates on the potential of VR or AR technologies for reviving lost music venues and spaces in former transport centres, such as new underground stations or depots.
At the same time, the workshop explores process-oriented methods, such as temporary cultural projects and Field Labs or Digital Twins, which investigate experimental forms of the production of coexistence. As pioneering settings to further develop the city culturally and protect Berlin’s long-lasting and flourishing cultural landscape, the workshop aims to envision spaces of cultural reclaim – integrating cultural performances as natural sequences in the flow of urban mobility.
Creative Footprint: Research study into Montréal’s music and nightlife scenes announced

MTL 24/24 is collaborating with VibeLab in partnership with PennPraxis and announces Creative Footprint: Montréal.
Over the next several months, VibeLab will research Montréal’s ‘Creative Footprint’ to identify the current issues, needs and challenges of communities embedded in Montréal’s music and nightlife scenes. By empowering and amplifying emerging and established voices, this research project will support MTL 24/24 and urban policymakers in best planning for and supporting creative spaces and communities in the city’s nightlife scenes for future generations.
Through a series of focus group discussions, in-depth interviews, and analysis of Montréal’s 200+ music and nightlife venues, Creative Footprint will culminate with a report highlighting key findings and recommendations in Spring 2023.
How to get involved in Creative Footprint?
If you are a Montréal-based DJ, artist, venue operator, community leader, activist, event organiser, promoter, journalist, or anyone embedded in Montréal’s nightlife scenes — Creative Footprint invites you to participate in a one-hour online focus group discussion on the value, issues and threats surrounding Montréal’s fabric of music and nightlife venues hosted via Zoom (in English and French).
Register to participate below on:
- Wednesday October 12th, 2022 at 11am – 12pm (noon) Montréal local time (EDT)
- Thursday October 13th, 2022 at 4pm – 5pm Montréal local time (EDT)
About Creative Footprint
Creative Footprint is a research project by nighttime consultancy agency VibeLab in partnership with the University of Pennsylvania’s PennPraxis that researches creative spaces and communities to study the cultural value and impact of music and nightlife in the city. Creative Footprint has previously been conducted in Berlin, New York, Tokyo, and Stockholm.
FRENCH:

Creative Footprint : Annonce d’une étude sur les scènes musicales et de vie nocturne de Montréal
MTL 24/24 collabore avec VibeLab, en partenariat avec PennPraxis, et annonce Creative Footprint : Montréal.
Au cours des prochains mois, VibeLab effectuera des recherches sur l’« empreinte créative » de Montréal afin d’identifier les besoins et les défis actuels auxquels font face les diverses communautés intégrées aux scènes de la vie nocturne de Montréal. En mettant de l’avant à la fois les voix émergentes et établies, ce projet de recherche unique soutiendra MTL 24/24 et les décideurs urbains afin d’avoir une meilleure planification et un soutien des espaces créatifs et des communautés propres aux scènes de la vie nocturne de la ville davantage adéquat pour le futur.
Grâce à une série de discussions de groupe, d’entretiens approfondis et d’analyses de plus de 200 lieux de musique et de vie nocturne à Montréal, Creative Footprint aboutira à un rapport mettant en évidence les principales conclusions et recommandations au printemps 2023.
Comment participer à Creative Footprint?
Si vous êtes un·e DJ, un·e artiste, un·e exploitant·e de salle, un·e leader communautaire, un·e activiste, un·e organisateur·ice d’événements, un·e promoteur·ice, un·e journaliste ou tous·tes autres personnes impliqué·e·s dans les scènes de la vie nocturne de Montréal, Creative Footprint vous invite à participer et à présenter votre point de vue sur la vie nocturne de la ville.
Inscrivez-vous ci-dessous pour participer le :
- Mercredi 12 octobre 2022 de 11 h à 12 h (midi) heure locale de Montréal (EDT)
- Jeudi 13 octobre 2022 de 16 h à 17 h heure locale de Montréal (EDT)
À propos de Creative Footprint
Creative Footprint est un projet de recherche de l’agence de conseil nocturne VibeLab, en partenariat avec PennPraxis de l’Université de Pennsylvanie, qui étudie les espaces et les communautés créatives afin d’évaluer la valeur culturelle et l’impact de la musique et de la vie nocturne dans une ville. Le projet de recherche Creative Footprint a déjà été mené à Berlin, New York, Tokyo et Stockholm.
Map

Mapping Night Mayors, Offices and Commissions Worldwide
Since 2001, the phenomenon of nighttime commissions or individual leaders, often known as “night mayors” or “night czars,” has been gaining momentum across the globe. These visionary individuals and dedicated commissions ensure safety, foster cultural vibrancy, and drive economic development during the nighttime hours.
With more than 80 cities embracing this approach, the diverse nature of these roles reflects each city’s unique characteristics and needs.
The Different Formats of “Night Mayor” or Nighttime Advocacy Offices
- In some instances, cities appoint or elect nighttime managers within their municipal government offices. These individuals act as conveners, innovators, and strategic thinkers, coordinating efforts to create a thriving nighttime environment.
- Other cities establish nighttime liaisons or commissions through partnerships with business-industry or downtown associations, leveraging their expertise and resources to maximise the potential of their nighttime economies.
- Additionally, grassroots or nightlife community organising efforts have led to the emergence of nighttime leaders who champion the interests and well-being of their communities after dark.
What is the Nighttime Advocacy Map?
This mapping initiative aims to document and showcase the remarkable contributions of nighttime commissions and leaders worldwide. It provides a valuable resource for cities, policymakers, and urban enthusiasts to understand nighttime governance’s various models, strategies, and successes.
By highlighting these leaders’ critical role, the map inspires and empowers other cities to explore and implement similar approaches to foster safe, vibrant, and economically prosperous nighttime environments.
As the nighttime governance movement continues to grow, this map serves as a testament to the innovative thinking and collaborative efforts of cities across the globe. By sharing knowledge, experiences, and best practices, we can collectively shape a future where our cities thrive day and night.
Please explore the map and delve deeper into the world of nocturnal governance!
denotes office within city government |
denotes non-governmental group.
Not on the Map, and want to be?
Contact Tereza: at tereza@vibe-lab.org if you are a nighttime advocate and are not listed on the map and would like to be.
Or fill out this form
Research
Mirik Milan, co-founder of VibeLab and renowned urban studies expert, and Andreina Seijas, Harvard University Teaching Fellow, Research Fellow, and Doctoral Candidate specialising in nocturnal governance, have studied this evolving landscape. Their collaboration has laid the foundation for the knowledge base underpinning this comprehensive nighttime governance map.
Read the study: Governing the night-time City: The Rise of night mayors as a new form of urban governance after Dark.
This research has been continued by an update in 2023 from Nandor Petrovics of the Corvinus University of Budapest is researching a thesis that will profile the updated landscape of the global nighttime economy. The thesis will highlight the most comprehensive review of night-time advocacy organisations. It will be available to read online in the Autumn of this year (2023).
References (resources for further reading):
Acuto, M., & Seijas, A. (2021). Managing Cities at Night: A Practitioner Guide to the Urban Governance of the Night-Time Economy. Policy Press.
Cibin, A. (2021). Forms of Night-Time Economy Governance: A Framework Towards Clarification. In Transforming Urban Nightlife and the Development of Smart Public Spaces (pp. 22-39). IGI Global.
Seijas, A., & Gelders, M. M. (2021). Governing the night-time city: The rise of night mayors as a new form of urban governance after dark. Urban Studies, 58(2), 316-334
VibeLab (2020): Global Nighttime Recovery Plan (GNPR), Chapter 5: Nighttime Governance in Times of Covid-19